书法，是一种书写文字的一种方法，也是书写的一种艺术。书法纵向穿透两个层面：第一个层面是使用和审美；横向跨越文字的两个层面，文字和绘画。书法是一种研究书写者心里与性格的一个工具。从小培养起，它是一个能培养你的耐心和提高内心修养的休闲爱好。书法的主要工具有笔、墨、纸和砚。现代人们研究的字体有篆体、隶书、楷书、行书和草书。
Calligraphy is a method of writing characters and one of the types of art. Calligraphy involves two levels of art which is aesthetics of soul and writing and painting. A calligraphy is a tool for studying the mind and character of the writer. It is a leisure hobby that can cultivate your patience and improve your inner self-cultivation once you are keeping to practice it. The main tools of calligraphy are brush pen, ink, paper and inkstone. The types of fonts written by modern people include seal, official script, regular script, running script and cursive script.
鉴赏与心得（Art Appraiser and Reflection）
我会临摹颜真卿多宝塔碑的文字，是因为颜真卿书法精妙，擅长行楷。其正楷笔法端庄雄伟，行书气势遒劲。颜真卿的真书雄秀端庄，结字由初唐的瘦长变为方形，方中见圆，具有向心力。一般横画略细，竖画、点、撇与捺略粗。这一书风，大气磅礴，多力筋骨，具有盛唐的气象。临摹了一番后，我觉得颜真卿在书学史上以“颜体”缔造了一个独特的书学境界，他的书法既以卓越的灵性穿透字体境界自然瑰丽。另外，我发现颜真卿的楷书很有自己的特色，例如“颜”字——“撇”变成“点”，“卿”字——即便左右结构没有对平，但整体结构上是好看的，字体横竖笔画细粗有分，生动有力。我认为我从中学习到了书法要写得好，写得生动，字体间的结构须：“前者侧，后者正；前者妍，后者壮；前者雅，后者直；前者瘦，后者肥。”
I will imitate Yan Zhenqing’s multi-pagoda style because Yan Zhenqing has exquisite calligraphy and is good at writing. Its block letters are dignified and majestic, and its running script is vigorous. Yan Zhenqing's writing art is majestic and dignified, and the knots have changed from the thin and long in the early and become a square.Generally, horizontal painting is slightly thin but vertical and thicker in painting, dots, skimming and padding . This writing-style is majestic and powerful, with the writing skill and image of appearance during the Tang Dynasty. After imitating it, I feel that Yan Zhenqing has created a unique calligraphy realm with "Yan Style" in the history of calligraphy. His calligraphy penetrates the natural and magnificent realm of fonts with remarkable spirituality. In addition, I found that Yan Zhenqing’s regular script has its own characteristics. I learned that calligraphy should be written well and vividly.The structure of the fonts must be: "The former is sideways, the latter is straight; the former is soft, the latter is strong; the former is elegant; the former is thin, the back fatty."
依婷同学好，我是慧莹同学。《多宝塔碑》是颜真卿的书法代表作之一。据知，他的整篇碑文里构造上严密，字较正方。从观看你的视频后，从你所临摹颜真卿多宝塔碑的文字中，我可以感受到那份端庄平稳与布势均匀的感觉。从你所写下的文字中更是给人一种有力又活灵活现，个个字都写得正气饱满。或许这正是颜真卿的《多宝塔碑》最大的特色，仅仅从那有力的笔法中便营造了气势雄伟的气氛。
回复删除中国书法史上，继王羲之后，颜真卿独创的颜体楷书是另一大成就。我最喜欢依婷写的“尚”字。我觉得这个字很全面的诠释了楷体的工整，也体现了颜氏的特色。“尚”字的点撇勾，是书法讲究的运笔力度（提、按、顿）。横折的笔画，完美的展现了颜楷特色（横细直粗）。整体来看，依婷的书法特别工整、稳重，给人一种简洁刚劲之美。除了技巧上的掌握，书法还是一门时间艺术。唯有定下心来，才能将情绪积淀并融入到作品当中。
回复删除依婷同学你好。我看了你临摹的书法以后，我觉得你在里面解释的东西都相当的仔细和清楚。因为从一开始直到后面你都有一步一步地解释临摹时要如何提要如何点以何收尾等。另外，你也有向我们解释和展示颜真卿书法的特色是如何的。看了你的书法以后 我也相当的佩服你可以写得那么好看，因为我本身写书法不是很好看，但是还是希望自己以后可以去学习怎么写，并可以写到和你写的那样好看。
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